- Presentation | Not everything is a lie
- The Classical Exhibition | Seeking Rembrandt in Spain
- Interview | Jonathan Brown
- The Contemporary Exhibition | Cy Twombly
- The Work | Ciudad Rodrigo: the Altar Recovered
- The Fair | Arco [India]
- Sculpture | When Men were Gods
- In the studio | Antony Gormley
- Investigation | The Revolution of Ribera
- The collection of | Javier de la Calzada
- Chronicles from Berlin, London, Paris and New York
- Auctions of Classical and Modern Art
- Exhibitions Schedule
- Written by | Lourdes Fernández, Carmen Giménez, Hans-Peter Klut, Gianni Papi, Mark A. Roglán, Isadora Rose, Nicola Spinosa

The secrets of the altarpiece
One part of the ancient altarpiece of Ciudad Rodrigo, situated in Salamanca, is conserved today In the Art Museum of University of Arizona in Tucson. Last spring, The Meadows Museum of Dallas (Texas) presented the exhibition Fernando Gallego and his studio: The altarpiece of Ciudad Rodrigo. For that sample, the work of Fernando Gallego, the master Bartolomé and his studios, was restored and analyzed. After five years of investigation, it is possible to specify not only the date of its execution, but also the authorship of each of the paintings. The director of the Meadow Museum, Mark A. Roglán, analyzes the conclusions and the secrets that one of the most beautiful altarpieces of the Spanish Renaissance hides.
By Mark A. Roglán
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