- Presentation | The nameless
- The Classical Exhibition | Florence, the perfect society
- Interview | Elena del Rivero
- The Contemporary Exhibition | José Manuel Ballester
- The Work | Face to face to a new Velázquez portrait
- Space | Emilio Ambasz – The rest we all dream of
- Portfolio | Luz Camino – The rare and the precious
- Investigation | Ravesteyn-Savery: two artist in Prague
- In the studio | Pedro Cabrita Reis
- The collection of | Franco Maria Ricci
- Auctions of Classical and Modern Art
- Exhibitions Schedule
- Written by | Letizia Arbeteta, Joaquín Bordíu Ximénez de Embún, Peter Buchanan, Bárbara Celis, Peter Cherry, Cristina Giménez, Dora Liscia, Caterina Napoleone, Simonetta Persichetti
Florence, the perfect society
Medici, Tornabuoni, Strozzi... It is difficult to dissociate the name of these bankers of patronage. Art and money could easily overlap in the Florentine Quattrocento, where the precursors of the financial system were those who carried out the Renacimento cultural corporations. Professor Dora Liscia reflects on the myth of patrons because of the Money and Beauty exhibition at the Palazzo Strozzi.
By Dora Liscia
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