- Presentation | Protectionism and criteria
- The Classical Exhibition | Leonardo da Vinci at Milano
- Interview | Richard Serra
- The Contemporary Exhibition | Bernardí Roig
- The Work | Ribera: a New Finding
- Space | Fuglsang Kunstmuseum
- Portfolio | Shahnama, Book of Kings
- Investigation | A Pieter Bruegel Restored Tüchlein
- In the studio | Ferdinando Brachetti. The Irony of Blood
- The collection of | Marcos Martín Blanco
- Auctions of Classical and Modern Art
- Exhibitions Schedule
- Written by | José Jiménez, Alejandro Martínez Pérez, Elisa Mora Sánchez, Caterina Napoleone, Gianni Papi, Sheila R. Canby, Nicolás Rodríguez, Carlos Saguar Quer, Pilar Silva Maroto

Richard Serra
He began to be an 'artist' at the age of four. At least, that's how his mother presented him to her friends and when Serra himself was aware of it. It has been nearly seven decades and that child who scribbled on a paper to wrap the meat has become a benchmark in the current scene. The pictures gave away to the sculptures, the steel pen and now many critics consider him the greatest sculptor of the twentieth century.
By Sol G. Moreno
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