- Presentation | Goya and Herrera
- The Classical Exhibit | Raffaello
- Interview | Vincent Delieuvin
- The Contemporary Exhibit | Joana Vasconcelos
- The Work | An 'Immaculate Conception' by Herrera the Younger
- Spaces | Nomad Construction
- Portfolio | Guardians of the secret
- Investigation | The marquises of Bajamar by Goya
- In the studio | Yayoi Kusama
- The collection of | Francisco Bocanegra
- Chronicles from Berlin, London, Paris and New York
- Auctions of Classical and Modern Art
- Written by | José Antonio de Urbina, Miguel Falomir, Massimiliano Fuksas, Rui Gonçalves, Takako Matsumoto, José María Quesada
The marquises of Bajamar, two portraits recovered for Goya
The extraordinary quality of the portraits of Don Antonio Porlier Sopranis and his wife Dona Maria Jerónima Daoíz y Guendica, painted by Francisco de Goya, has been interpreted in different ways by historians because of the involvement of a second brush that changed their original appearance. New technical studies allow the author present the scope of the changes and attribute them to Mariano Salvador Maella.
By José Antonio de Urbina
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