- Presentation | Not everything is a lie
- The Classical Exhibition | The Flemish of the Queen
- Interview | Thomas Krens
- The Contemporary Exhibition | Cai Guo-Qiang
- The Work | Saint John the Baptist in the Desert
- The Fair | TEFAF
- Photography | The Royal Theatre of J. M. Ballester
- In the studio | Tobias Rehberger
- Investigation | The Mariscal Soult and his Collection
- The collection of | Teresa Sapey
- Chronicles from Berlin, London, Paris and New York
- Auctions of Classical and Modern Art
- Exhibitions Schedule
- Written by | José Manuel Ballester, Konrad O. Bernheimer, Ignacio Cano, Consuelo Císcar, Javier Portús, Alejandro Vergara

The Flemish of the Queen
Europe, XVII Century. The Spanish, Danish and British Crowns auctioned the most renowned Flemish artists in order to immortalize power of their government. Philip II of Spain, Henry VIII of England, Frederick III of Denmark... all of them succumbed to the mastery of the paintbrush of artists like Bruegel or Rubens. After more than two decades of work, the Royal Collection has achieved to catalogue all these works from their funds, which quite a few of them are exhibited now in Buckingham Palace. Alejandro Vergara comes with us in this route and he explains us how the flemish paintings were always part of the reserve from which all the big royal collections were 'feeded'.
By Alejandro Vergara
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