- Exhibitions Schedule | Things change... for the better
- The Classical Exhibition | Sorolla
- Interview | Dominique Perrault
- The Contemporary Exhibition | Juan Muñoz
- The Work | Francisco Palacios versus Antonio de Pereda
- Bienal | Venice
- Portfolio | Ai Weiwei
- In the studio | Anish Kapoor
- Investigation | The Immaculate
- The collection of | Jordi Clos
- Chronicles from Berlin, London, Paris and New York
- Auctions of Classical and Modern Art
- Exhibitions Schedule
- Written by | Daniel Birnbaum, Lynne Cooke, Felipe Garín, Benito Navarrete Prieto, Elena Ochoa Foster, Enrique Valdivieso

Francisco Palacios versus Antonio de Pereda
The knight’s dream, which is preserved in the Royal Academy of Fine Arts of San Fernando, has been traditionally attributed to Antonio de Pereda, a specialist in still lives and 'vanitas' of the seventeenth century. However, compelling technical reasons suggest it could have been painted by his contemporary Francisco Palacios, an artist who only signed four works. This article confronts The knight’s dream with works of both artists and analyzes the similarities with the tables of Palacios.
By Enrique Valdivieso
This article is only avalaible in the print edition |
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