- Exhibitions Schedule | Things change... for the better
- The Classical Exhibition | Sorolla
- Interview | Dominique Perrault
- The Contemporary Exhibition | Juan Muñoz
- The Work | Francisco Palacios versus Antonio de Pereda
- Bienal | Venice
- Portfolio | Ai Weiwei
- In the studio | Anish Kapoor
- Investigation | The Immaculate
- The collection of | Jordi Clos
- Chronicles from Berlin, London, Paris and New York
- Auctions of Classical and Modern Art
- Exhibitions Schedule
- Written by | Daniel Birnbaum, Lynne Cooke, Felipe Garín, Benito Navarrete Prieto, Elena Ochoa Foster, Enrique Valdivieso

The fragility of the Empire
The crisis has sprayed those delirious fumaroles of Chinese art that flooded auctions of contemporary art. Brilliance’s hangover has shown the reality of that noisy clucking: everything was fashion, passing swindle, speculation. However, under the fiction stands the voice of a great artist, a cultural activist, a committed citizen, a guy prone to stepping on the limits: Ai Weiwei (Beijing, 1957), son of the great –and penalized– Chinese poet Ai Quing.
By Ai Weiwei
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