- Exhibitions Schedule | Things change... for the better
- The Classical Exhibition | Sorolla
- Interview | Dominique Perrault
- The Contemporary Exhibition | Juan Muñoz
- The Work | Francisco Palacios versus Antonio de Pereda
- Bienal | Venice
- Portfolio | Ai Weiwei
- In the studio | Anish Kapoor
- Investigation | The Immaculate
- The collection of | Jordi Clos
- Chronicles from Berlin, London, Paris and New York
- Auctions of Classical and Modern Art
- Exhibitions Schedule
- Written by | Daniel Birnbaum, Lynne Cooke, Felipe Garín, Benito Navarrete Prieto, Elena Ochoa Foster, Enrique Valdivieso

A variegated, changing and intimate happiness
The Catalonian businessman has an indisputable altar in his house to kneel down: Morning in Kom Ombo, the famous 1854 picture of David Roberts, an icon of the romantic and compelling vision of the land of the Pharaohs. The painting, which shows the Temple of Sobek and Haroeris half-buried in the sand, it’s in the dining room of Jordi Clos, partially covered by some glass jars with seeds and a stunning piece of the stone head of Hathor. Jacinto Antón, an expert in archeology and primitive cultures, discovers for us this marvelous collection of antiquities from Egypt and many other places that inhabit the house of the employer.
By Jacinto Antón
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