- Presentation | A different story
- The Classical Exhibition | Murillo
- Interview | Bill Viola
- The Contemporary Exhibition | Michal Rovner
- The Work | Triptych of St. John the Baptist
- The Fair | Samuel Keller and Art Basel
- Exhibition | The splendor of the Romanovs
- In the studio | Beatriz Milhazes
- Investigation | Maíno, portrait painter
- The collection of | Uli Sigg
- Chronicles from Berlin, London, Paris and New York
- Auctions of Classical and Modern Art
- Exhibitions Schedule
- Written by | Noa Barak, Juan Manuel Bonet, Ignacio Cano, Matías Díaz Padrón, Menene Gras, Leticia Ruiz Gómez
Pourbus and the tradition of the Flemish Primitives
The triptych of St. John the Baptist, added in 2000 to the Prado Museum, is one of the most important works of Pierre Pourbus, the seventeenth-century Flemish painter. His vision of nature and the monumentality of his figures are characteristic of all his creation. Through this work, Matías Díaz Padrón delves into the trace of the artist in our country.
By Matías Díaz Padrón
This article is only avalaible in the print edition |
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