- Presentation | Awards and changes
- The Classical Exhibition | The end of tradition
- Interview | Emmanuel Perrotin
- The Contemporary Exhibition | Pierre Soulages
- The Work | Portrait of a Man
- Space | Benozzo Gozzoli Museum
- José de Ribera | Completing the Cussida’s Apostolate
- In the studio | Gilbert & George
- Investigation | Francisco de Zurbarán
- The collection of | Pedro Serra
- Chronicles from Berlin, London, Paris and New York
- Auctions of Classical and Modern Art
- Exhibitions Schedule
- Written by | Cecilia Barbieri, Jonathan Brown, Odile Delenda, Michael Gallagher, José Jiménez, Dominique Lobstein , Gianni Papi
The end of tradition
The Official Hall of Paris established the criteria that drove the art during the seventies of the nineteenth century. Romantics and realists like Courbet were rejected. The Impressionists suffered also critics mocking their forms. The most famous paintings of some of them are now coming to Madrid to illustrate a tumultuous period in the history of art, which divided France and the world into two camps: the traditional and the modern.
By Dominique Lobstein
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