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  <title>Ars Magazine</title>
  <link>http://www.arsmagazine.com/home</link>
  <description>Arts & Collecting Magazine</description>
  
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    <title>Ars Magazine</title>
		<link>http://www.arsmagazine.com/home</link>
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	  <title><![CDATA[The body is the message in PhotoEspaña]]></title>
		<guid>http://www.arsmagazine.com/news/top/201305151750/the-body-is-the-message-in-photoespana</guid>
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		    The sixteenth edition of PhotoEspa&ntilde;a focuses on the body. Ricardo Mosquera, curator of the International Festival of Photography and Visual Arts, leave his post with this proposal about the human phisic. "The body as Eros and Ades, as love and politics, as a purpose to obtain a message", according Mosquera, will gain all glances between June 5...		  ]]>
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		<link>http://www.arsmagazine.com/news/top/201305151750/the-body-is-the-message-in-photoespana</link>
		<pubDate>Thu, 16 May 2013 14:19:03 +0200</pubDate>
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	  <title><![CDATA[The 'Disparates' by Goya inspire modern follies]]></title>
		<guid>http://www.arsmagazine.com/news/top/201305101746/the-disparates-by-goya-inspire-modern-follies</guid>
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		    <img src="http://www.arsmagazine.com/uploads/images/000/006/611/news_story_cover-w-Disparate-alegre.jpg" />
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		    There are 'follies' that will never go away, like war. A reality that Francisco de Goya reflected in his latest series engraved, the same reality that Juan Manuel Broto presents in the work on view at the Diocesan Museum of Barcelona. He and other twenty artists have been inspired by the Spanish author's Disparates to present the current issues...		  ]]>
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		<link>http://www.arsmagazine.com/news/top/201305101746/the-disparates-by-goya-inspire-modern-follies</link>
		<pubDate>Mon, 13 May 2013 13:06:16 +0200</pubDate>
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	  <title><![CDATA[Emilio Serrano redraws Córdoba through his work]]></title>
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		    <img src="http://www.arsmagazine.com/uploads/images/000/006/606/news_story_cover-Emilio_Serrano_06.jpg" />
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		    A piece of Cordova seems to be present at the Cerralbo Museum, thanks to Emilio Serrano's work. Painter, printmaker and draftsman, this author used his hometown as his muse, 'she' was his source of inspiration for more than 40 years. During these years, he immortalized melancholic women, abandoned children, still lifes and everyday scenes of...		  ]]>
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		<link>http://www.arsmagazine.com/news/top/201305091745/emilio-serrano-redraws-cordoba-through-his-work</link>
		<pubDate>Fri, 10 May 2013 13:57:45 +0200</pubDate>
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	  <title><![CDATA[Poetry, deliriums and suggestions of Dalí]]></title>
		<guid>http://www.arsmagazine.com/news/top/201304261737/poetry-deliriums-and-suggestions-of-dali</guid>
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		    He was the only one who could boast of getting up every morning and feel a supreme pleasure: being Salvador Dal&iacute;. A great painter, provocateur, histrionic and paranoid that investigated the reality and the unconscious with the same insolence with which he dissected the eye in Un Chien Andalou. His oniric compositions, his fragmented figures and...		  ]]>
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		<link>http://www.arsmagazine.com/news/top/201304261737/poetry-deliriums-and-suggestions-of-dali</link>
		<pubDate>Mon, 29 Apr 2013 11:46:59 +0200</pubDate>
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	  <title><![CDATA[Rubens-Titian, good partners]]></title>
		<guid>http://www.arsmagazine.com/news/top/201304181729/rubens-titian-good-partners</guid>
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		    <img src="http://www.arsmagazine.com/uploads/images/000/006/531/news_story_cover-7. FINAL (detalle) NF2013.jpg" />
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		    The dialogue between Rubens and Titian is back in the news board of the Museo del Prado after the restoration of Adam and Eve and its new location. Both masters are reunited in the Central Gallery of Villanueva building (room 25), allowing visitors to understand the admiration of the Flemish painter for Venetian art from a laborious process of...		  ]]>
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		<link>http://www.arsmagazine.com/news/top/201304181729/rubens-titian-good-partners</link>
		<pubDate>Fri, 19 Apr 2013 10:03:02 +0200</pubDate>
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	  <title><![CDATA[Madrid-Modena-New York]]></title>
		<guid>http://www.arsmagazine.com/news/top/201304171727/madrid-modena-new-york</guid>
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		    Francesco I d'Este (1610-1658) went to the court of Philip IV in Madrid in autumn 1638. The reason for his visit was to seal the financial covenant alliance culminating between Modena and Spain. During his stay, he was lodged in the new royal residence, the Palace of Buen Retiro, and entertained with multiple acts and awards such as the Order...		  ]]>
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		<link>http://www.arsmagazine.com/news/top/201304171727/madrid-modena-new-york</link>
		<pubDate>Fri, 19 Apr 2013 10:08:00 +0200</pubDate>
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	  <title><![CDATA[Body & Soul exposed]]></title>
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		    <img src="http://www.arsmagazine.com/uploads/images/000/006/505/news_story_cover-62_imagen3_exposiciones_larry_fink_2013.jpeg" />
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		    Born in Brooklyn (New York) in 1941, photographer Larry Fink is a fully Yorker. A "Marxist from Long Island" &ndash; as defined himself - whose creative hallmark has been the use of flash and the development and black bench that illuminates the parts of "Body &amp; Soul" that remain in penumbra. This is the most interesting aspect of the exhibition Larry...		  ]]>
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		<link>http://www.arsmagazine.com/news/top/201304121723/body-soul-exposed</link>
		<pubDate>Fri, 19 Apr 2013 09:42:40 +0200</pubDate>
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